TIBETAN RED/THE OVAL LANGUAGE/DAS SYNTHETISCHE MISCHGEWEBE
|Artist||TIBETAN RED/THE OVAL LANGUAGE/DAS SYNTHETISCHE MISCHGEWEBE|
|Titel||The Breath Of The Hydra|
A three way collaboration between the Germany based THE OVAL LANGUAGE, the Catalan TIBETAN RED and DAS SYNTHETISCHE MISCHGEWEBE living in Rennes, France. In an on and off exchange since end of 2016, a continuous exchange of audio material, ideas and suggestions. Salvador Francesch and Guido Hübner meet again after long years at
the occasion of a concert of the latter one at the LEM festival in Barcelona. Since then working together became evident as was the choice of including Klaus-Peter John with whom several collaborations had already seen the light of day through the years, most notably the homage to the late Carlfriedrich Claus ‘sprechzimmern’ with RLW as well as a 2x CD collection of collaborations on the notorious Monochrome Vison label in Moscow.
The association of their different sound worlds and even more specifically their extremely particular fashions of creating them was meant to merge and melt in a whole able to blur clear distinctions with only an occasional sneaking out of a head and a hissing tongue amongst many that takes the scent and direction respectively in the brooding heat that forges shape and carves direction.
TIBETAN RED Salvador Francesch is a catalan-canadian painter, sculptor and sound explorer who lives in La Garrotxa, Girona. He has released 5 CDs in his Tibetan Red project. His work pursues experimentation with sounds that seek to convey some aspects of his interest in Eastern rituals and ceremonial art.
THE OVAL LANGUAGE Klaus-Peter John is from Leipzig, the project started as a trio in the early 80’s working to turn into his solo project with sound, noise works in open spaces, photography, installations and land-art informed projects in which mainly the voice is put center stage.
DAS SYNTHETISCHE MISCHGEWEBE started in the early 80’s in Berlin with cassette production and performative concerts, exhibitions and installations to which a D.I.Y. approach of a lot of customized equipment became inherent accompanying an interest in several areas of science and technology. Moved to Barcelona then France, producing many recordings and performance works.